Tangential Vision is my new business direction.

I have been in business as a freelance illustrator and graphic designer for over ten years, nearing fifteen years professionally. During this time I have had the pleasure and benefit of working for such clients as General Motors, Reverend Freakchild, Treetop, a municipal hospital as their sole graphic designer and chronicler of equipment and facility machinery.

I have worked on a freelance basis onside of successful professional design firms.

As these last few difficult years have moved on, and Cancel-Culture’s power has increased, I have come to realize how deeply these projects have affected me spiritually. It now appears to me that we are in the midst of a spiritual battle, of which only one side is correct. As the majority of artists, illustrators, graphic designers, project visualizers and other forms of visual idea engineers rush madly into Communism, they do so leaving no room for conversation, for debate, for any acknowledgement of the shortcomings of their vile religion.

During the last fifteen years but most especially ten years ago in the cities of Seattle and Portland I created many miniature magazines (known colloquially as “zines”) which were intended to bridge the gap between the Left and the Right. I wanted to educate the Left that the Right were intelligent people who had noble goals, thought well of others, and who shared a common vision towards a positive future for humanity. I thought that I would educate conservatives that liberals have a lot of warm ideas and that while the execution is often lacking, their ideas should be heard.

Over the course of that part of my life’s journey, I came to realize that there were some false precepts in my worldview. Not only did conservatives welcome and invite debate and conversation over concepts and ideas but they generally won quite handily.

I grew up in a very conservative family with an even more conservative extended family. We did not have many liberal ideas. I went to a liberal arts college where I was mildly indoctrinated with Leftist concepts, however I was often a lone voice challenging authority. In those later years of the 1990s there were still some educators at the universities who were conservative or at least neutral.

I lived in Seattle for a very long time. I lived in Portland for a very long time. I lived in Denver for a very long time. As well as Boulder Colorado.

My time in Seattle as a bright-eyed young man made me very excited to hear new ideas and to see a variety of ways that people approached life. I could see that there was more crime, recognized that there were problems of inequality, and that there was a morass of anger brewing under the society of the city. It was different than what I saw on the Right. To me at that age as a late teenager all ideas had merit.

During my years in Portland I went very deep into Leftist circles becoming friends with and a student of straightforward Marxists and open occultists. To some degree this is unavoidable if one chooses to be an artist in the city of Portland. Portland is one of the three major capitals of the world for this industry. It is a deep pool of incredible talent.

There is a reason the Left is winning the culture war. There is a reason the Left is continuing to deceive and manipulate centrists and those who are not politically savvy. Those who have no political discernment.

In Denver I was welcomed by the entire city of illustrators with wide-open arms very quickly. I came to know everyone, all of the players, all of the artists, those who created the projects. All of the clients who hired. How the industry worked in an all new city, a city of Leftists.

Denver is when I also began to realize that perhaps my youthful interest in moving to the big cities, the excitement that I felt exploring dark alleys and side roads and seedy bars, no longer held any interest for me that perhaps I thought that it always would. It was during this era of my career that I realized a difficult fact: my industry was populated with people who did not simply disagree with me on politics, but in fact hated me deeply on an emotional and spiritual level.

After over a decade of losing myself in this friend pool, immersed in the networking and parties with my fellows, seeking out fresh ideas, new techniques, and other people’s views and methods of working in and being a part of this creative industry that I began to realize that they were not interested in the world of illustration the way that I was interested in the world of illustration. I sought out techniques and styles from a variety of artists from around the world. I loved to imbibe the mythologies that they laid out in their stories. I loved to experience new concepts and ideas, and I would weigh and compare these visions.

We are going to be building a new infrastructure on the right. A new infrastructure for communication, for information, education. An infrastructure for entertainment. The Left has sealed the fate of the existing methods of communication through their abusive practices. The Right at one point gave up the culture war, temporarily, but now they see that they cannot.

So I have chosen to change my company, to change the path that I take, to change the way that I approach my clients, my working base, my entire way that I do business and see life. This is a tangent to the direction that I expected my career to go.

This is my Tangential Vision. Help me be a part of building something fantastic that can stand up to the perversions of the Left.